A Hundred Parts, A Hundred Faces continues

Series includes a moving image exhibition by filmmaker Rebecca E Marshall before screenings from 13 February to 16 March.

A Hundred Parts, A Hundred Faces.jpgFilmmaker Rebecca E Marshall has been an avid diary writer since the age of 13 and also began to film vibrant moments from her everyday life. She is currently working on a PhD looking at self portrait in film called ‘A Hundred Parts, A Hundred Faces.‘

As part of the PhD, Rebecca will be hosting a number of local events and has created an exhibition to appear at the Electric Palace in the coming months.

13 February – 16 March, 7.15pm-8pm before each film screening at Electric Palace (see our listings)

See an exhibition of six moving image works by Rebecca that draw from her personal archive. The films’ titles are inspired by the work of Michel de Montaigne, one of the most influential writers of the 16th century, who tried to create an honest self-portrait including all the strengths, weaknesses, fears and joys of his daily life experiences:

  • ‘Of Age,’
  • ‘The Force of the Imagination,’
  • ‘Of Experience,’
  • ‘Of Dying,’
  • ‘Of Drunkenness,’ and
  • ‘That We Taste Nothing Pure.‘

8 March, 2pm, Jerwood Gallery, Rock-a-Nore

Rebecca will hold a talk on 'Michel de Montaigne and Self-Portrait in Film' that will include clips from self portrait films, as well as from her own archive. All tickets £4.00. Book now.

Screening of excerpts will include:

  • Jonas Mekas, As I Was Moving Ahead, Occasionally I Saw Brief Glimpses of Beauty, 2000, excerpt
  • Rebecca E Marshall, This That Happens, 1995-2013, excerpts from personal archive
  • Jonathan Caouette, Tarnation, 2003, excerpt
  • Agnes Varda, The Gleaners and I, 2000, excerpt
  • Agnes Varda, The Beaches of Agnes, 2008, excerpt
  • Chris Marker, Sans Soleil, 1983, excerpt

 

9 March, 8pm, Electric Palace cinema

sans_soleil.jpgRebecca will introduce Chris Marker’s feature ‘Sans Soleil’ (see still from the film, right) and talk about his exploration of how memory serves to constitute an individual’s sense of self and the collective process of forging an official version of history. Book now.

 

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INFORMATION

Tickets are available in advance online from this website, or on the door.
Doors and the bar open at 7.15pm, screenings start at 8pm.

More information

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